New American Talent/Dance benefits choreographers and dancers alike. See how company dancer Beth Terwilleger learned to speak a new language.
A dance career is often too short, therefore the work that goes into it must be intense and full of passion in order to squeeze as much out of it as possible. Any chance to work with a new artist or choreographer is a gift that promises the opportunity to grow in many ways. I am lucky enough to dance for a company that not only has a director who challenges and allows his dancers to grow with his work, but one that also brings in artists to add to the richness of the company’s dancers and repertoire.
New American Talent/Dance allows for choreographers with a variety of voices and interpretations of movement to come into the world of Ballet Austin and help us grow. I feel very lucky to be a part of this project and constantly try to embrace the opportunity. With every choreographer, it is like turning into a sponge and soaking up as much as I can from the experience. Every choreographer I have worked with for NAT/D has spoken a new and different language. Some you will learn to speak better than others and some you may feel like you actually speak a little of already, but there is always a great amount of opportunity for growth.
This year I was chosen by Greg Dolbashian to be a part of his creative process and dance in his piece for NAT/D 2012. The experience of working with Greg was one that was truly unique to my dance career. Never, while growing up in a classical dance training environment, did I ever imagine I would be asked to explore the movement possibilities of dancing improvisational work, eyes closed, onstage during a performance. And this, exactly, is what Gregory asked me to do. The improvisational work in Greg’s piece is heavily inspired by his own choreographic voice and movement style. Greg’s language is unique and inspiring, but it was also exceptionally challenging ; attempting to speak his language was no easy task. Watching him move and hearing his deep understanding of movement and the emotion and the art that goes behind it allowed for me to fearlessly dive into his rehearsals. While I still feel I have a lot of work do to before I could even scrape the surface of what he is trying to pull from me as an artist, I know I have already really grown from the experience.
The beauty of a project like NAT/D is the opportunity for growth for all involved. Not only do the dancers gain from it, but the choreographers are given a group of artists willing to explore with them and, ultimately, help them develop as well. The dancers grow, the choreographers grow, and Ballet Austin as an organization grows and benefits greatly as well. This type of support in the art world is imperative for growth, and the more we all support each other, the stronger the art world will be.
Tickets on sale now for New American Talent/Dance.
Recently we asked our Company Dancers to name one thing or two… or three… they would like for the holidays. Their answers may surprise you. Take a look to see what’s on the wish list of YOUR favorite dancer.
James Fuller: Pyke’s Philosophers
A flock of silly looking chickens
Preston Andrew Patterson:
A pair of custom-made Air Jordans size 11… oh yeah and peace and goodwill towards men, and all that jazz
A composting system
Snow in Vermont so I can take my boys sledding!
Paul Michael Bloodgood:
Call of Duty: Modern Warfare 3 for Xbox 360
Anne Marie Melendez:
Cookbooks related to my new hobby… “Healthy Bread in Five Minutes a Day” and “Artisan Pizza and Flatbread in Five Minutes a Day” written by Jeff Hertzberg and Zoe Francois. (The followups to “Artisan Bread in Five Minutes a Day”)
Ian J. Bethany:
Terry Pratchett novels, Wii games and juggling rings!
A few extra windows in my living room
To be free of debt
Warm clothes for my trip with my husband to Portland & Seattle!
A house. (We got it! We start moving in the day after Christmas.)
A trip to Disneyland
A Wii and a peacoat
Orlando Julius Canova:
A red bike helmet (but a good one)
Ashley Lynn Gilfix:
A new digital camera to take photos on our African Safari Trip over the holiday break
Michelle Thompson: Time, wine, massages and diamonds
A few weeks ago, we hosted our 4th annual Come Dance! celebration. Over 1,000 people streamed through our doors that Sunday to participate in over 18 different FREE dance classes, including 7 new ones. The day offered something for everybody – from West African Dance to Ballet. Check out a few snapshots from the day below, and make sure to check out our BCS Drop-In Class Schedule to see when you can try out a few classes on your own.
Our NEW! West African Dance, taught by instructor Jean-Claude Lessou.
Ballet, taught by Company Dancer & BCS Instructor Orlando Canova.
Our NEW! Turbo-Kick (cool down phase), taught by our certified instructor Brittany Harpole.
Our NEW! Rhythm Tap, taught by instructor Tony Merriwether.
Fall registration for the 2011/12 Academy school year is in full swing, and the Academy has something to offer every student, beginning as young as even 3 years old.
Creative Movement classes, designed for children ages 3-5, take the approach of “creative play” and are designed to hone motor skills, while educating children on movement. Classes meet once a week and offer “movement stories and ballet-based activities” appropriate for both boys and girls.
When children turn 5, they and their parents are given the option of moving onto our Pre-Ballet program, which is open to children ages 5-7. Pre-Ballet is more structured than creative movement, and serves as a transition between Creative Movement and when formal training begins at age 8, in Level 1.
In both our Creative Movement and Pre-Ballet programs, faculty in the Ballet Austin Academy place high emphasis on curriculum and age-appropriate teaching. Through these classes, we provide a place for children to not only have fun, but also take the opportunity to prepare themselves for a quality dance education. We believe that upholding excellence and professionalism starts with providing quality dance instruction at the youngest age possible.
At age 8, students may join Level 1 in the Lower School, marking their first step to professional ballet training. This age and level also mean another very special landmark: the age where Academy students have the opportunity to be cast in The Nutcracker! Each year, over 200 Academy students are cast our annual production exclusively.
If you are interested in enrolling your child, please check the Ballet Austin Academy‘s website for more detailed information, including new student registration forms.
Please note: students new to Ballet Austin but with prior experience, who are 8 and older, are required to attend a placement class. Dates, times and other important details are below.
August 20, 2011 Ages 8-12 | 2-3:30pm Ages 13 and older | 3:30-5pm Note: Please arrive 30 minutes early for check-in
Thanks to everyone who came to Ballet Austin this past Saturday and donated their time, money and dancing moves for National Dance Day! With your help and participation, we were able to raise over $1,000 for our scholarship program. Included in the crowd was CultureMap Austin’s Michael Graupmann who, despite not donning his dance shoes, reported and recorded the event. Check out Michael’s article on National Dance Day, complete with video of the lively Kathryn Waggoner.
Too busy to make it out this past weekend? Worry not.
At the end of this month, we are hosting our own annual day of dance, Come Dance! 2011, on Aug. 28 and EVERY class is FREE. Come help us celebrate our fourth anniversary in the Butler Dance Education Center. Check out the link above for more details!
That’s right everyone, National Dance Day is THIS Saturday – and we want to see you! Come support Ballet Austin’s scholarship program with $5 classes, while helping us celebrate National Dance Day, a nation-wide celebration organized by everyone’s favorite guilty pleasure… So You Think You Can Dance.
Here at Ballet Austin headquarters, we’ll be offering all of our regularly scheduled classes in addition to three classes that will focus solely on teaching the routines created by SYTYCD celebrity choreographers Mary Murphy, Robin Antin and NappyTabs.
More details on the classes and choreography videos below – you know, just in case you want to brush up on your moves before the big day.
Ballet Austin’s Featured “National Dance Day” Classes:
Beginning at the age of 5, Kathryn Waggoner has an extensive background in dance. She was captain of her high school dance team and continued her dance and musical theater education at Baylor University. With 16 years of dance experience behind her, she has had the opportunity to train at the finest dance studios under some of the best dancers and choreographers in the business including: Wade Robson, Tyce Diorio, Shane Sparks, Mia Michaels, Brian Friedman, Gil Duldualo, Cris Judd, Laurieann Gibson, and Dave Scott. In the summer of 2009, Kathryn was chosen to be an intern at the Pulse On Tour dance convention in Los Angeles, and additionally had the opportunity to participate in a summer intensive dance program at the legendary Millennium Dance Complex. Kathryn is excited to be a part of Ballet Austin’s Butler Community School this season.
Boo Ruiz has more than 20 years of dance training in a variety of mediums. She was in the pre-professional program at Ballet Austin from 1996-1999 where she was fortunate enough to study under Mr. Stephen Mills. She has trained in jazz, hip-hop, tap, lyrical, ballroom, and contemporary dance all over the country in studios such as The EDGE PAC (West Hollywood, CA), The PAC Annex (Van Nuys, CA), Broadway Dance Center (NYC, NY), and Steps (NYC,NY). Boo was a competitive dancer from 1992-2003. In 2003 she was ranked as the number three competitive soloist in the nation (National Dance Finals in Orlando, Florida). Boo continues to dance and audition all over the United States and Canada. Boo began choreographing and teaching at the professional level in 2001.
As a dancer Boo has experienced first hand the benefits of Pilates, not only for rehabilitation purposes, but also for maintenance and fine tuning, and is a Certified Pilates Fitness instructor. She has studied under Pilates Program Director Vlada Sheber since 2000. Her understanding of the human body, the knowledge lent from Vlada, and countless hours on the equipment provide dynamic tools that Boo utilizes to create an independent program for each client. Her focus is on form, proper alignment of the body, and helping her clients trust their bodies so that they achieve their personal goals and reach their fullest potential. “Continuous effort – not strength or intelligence – is the key to unlocking our potential” – Winston Churchill
Get a glimpse of Ballet Austin behind the scenes and read more about our upcoming performances, as well as get an inside look into the lives of company dancers and Artistic Director and Choreographer Stephen Mills.