We had heard about the wonders of an Israeli breakfast. It comes with the price of the room. We went downstairs as usual to choose from yogurt, eggs, vegetables, hummus, herring and a stunning assortment of bread looking things – pound cake, pita, rolls, etc. We learned quickly that the shy go hungry in this “buffet free for all.” As the dancers wandered in – slowly and a bit red eyed – they shared the stories of their evenings out.
It was a slow morning, so we took a walk through the old city. The signage is in Arabic or Hebrew depending on the part of town. There are booths of everything you can imagine including some incredibly fresh fish from the Mediterranean a few feet away. Most people know my mind goes blank when I am presented with too many options so I was unable to focus at all of the spices in burlap bags, clothing and toys that light up.
We walked the ancient tiny streets which were like the smallest Venice alleyways except, there are cars everywhere. Acco has traffic circles instead of stop signs and lights. Pedestrians have the right of way but it takes a while to get comfortable with the near death experiences. Right of way does not mean that they won’t drive an inch away from you.
1:00pm the dancers had their first chance to go inside the theater. Bill Sheffield, the Ballet Austin crew and the local tech folks were working magic with the small space. I loved watching the spacing rehearsal. Listening to the strategies to make Light work in a new space is fascinating. It included Stephen’s vision with the collaboration of the company.
We had coupons to eat dinner in the Acco entertainers garden. We all walked over to the opening ceremonies where we were greeted by three rows of VIP seats marked with Ballet Austin signs. It is so odd. The only English in Acco are the words Ballet Austin. Albert has thought of every detail to make our stay amazing. We stayed for the concert as long as we could. Then we escaped early to go get some sleep.
- Barbara Shack