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Posts Tagged ‘Light/The Holocaust & Humanity Project’

Ballet Austin Premieres Light / The Holocaust & Humanity Project at the Acco Festival in Israel

Monday, September 23rd, 2013

The Light International Premier filled the auditorium and the energy and excitement were large. Our Austin delegation took up most of the entire 8throw, so we had a great vantage point for the performance. There were welcome addresses by Albert Ben-Shloosh, the Director of the Acco Festival; Raya Strauss, one of the leaders in the region and Steve Adler, a Ballet Austin Board member and a leader in Austin responsible for the arrival of the Light project at Acco.

Steve shared some background information on Light / The Holocaust & Humanity Project and the importance of communities engaging in dialogue around hate, prejudice and bigotry. He also described the importance of both what is seen in the ballet, and what is not seen in the ballet. Artistic director Stephen Mills wrote a story based on the experience of Holocaust survivor and Houston, Texas resident Naomi Warren.

Albert presented Steve with the Guest of Honor Acco Festival trophy, given to one act at each Festival that represents a center point of the festival. It was quite an honor for the Light project.  Steve gave the trophy to Cookie Ruiz, and here’s a photo of her with it.

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The lights dimmed and the performance began. Flawlessly done, the dancers danced the 5 acts of the ballet. As expected, it was powerful and moving. Words don’t describe the feeling this ballet gives the audience. The big question prior to the performance was how it would be received by an Israeli audience. The answer:  they loved it. In a country that deals with the issues of the Holocaust regularly, the combination of precisely executed dance elements by accomplished and professional dancers like those in the Austin Ballet and the subject material built into the story of the Light project was extremely well received by the Israeli audience. Even our tour guide, Dani, commented on how wonderful the performance was and how deep and thought provoking it was for him. But the confirming sign of success was the clapping at the end of the show. It started out as any audience, with wild applause, but very quickly the clapping morphed into a rhythmic, synchronized clapping that went on for several minutes. Our Austin delegation was somewhat surprised, not knowing what the synchronized clapping meant, but we were then told that it was a high form of praise and acceptance in Israel, and common after a successful performance.

Light Performance 1

After the show, Stephen Mills came onstage to answer questions from the audience. He was asked about the symbolism of some of the elements in the ballet, and he described what his vision was. He was asked about the story and he shared some of his experience with Naomi Warren. He also was asked about the ending, and he let the audience know that Naomi’s wishes were for a positive, survivor ending, since she was a survivor.

All in all, a fantastic (shabab) evening none of us are likely to forget.

- Keri Pearlson, a member of the Jewish Community Association of Austin (JCAA) Board of Directors.

(View Keri’s other blogs here)

Ballet Austin prepares for Opening Night

Monday, September 23rd, 2013

We had heard about the wonders of an Israeli breakfast. It comes with the price of the room. We went downstairs as usual to choose from yogurt, eggs, vegetables, hummus,  herring and a stunning assortment of bread looking things – pound cake, pita, rolls, etc.   We learned quickly that the shy go hungry in this “buffet free for all.” As the dancers wandered in – slowly and a bit red eyed – they shared the stories of their evenings out.

It was a slow morning,  so we took a walk through the old city. The signage is in Arabic or Hebrew depending on the part of town. There are booths of everything you can  imagine including some incredibly fresh fish from the Mediterranean a few feet away. Most people know my mind goes blank when I am presented with too many options so I was unable to focus at all of the spices in burlap bags, clothing and toys that light up.

We walked the ancient tiny streets which were like the smallest Venice alleyways except,  there are cars everywhere. Acco has traffic circles instead of stop signs and lights. Pedestrians have the right of way but it takes a while to get comfortable with the near death experiences. Right of way does not mean that they won’t drive an inch away from you.

1:00pm the dancers had their first chance to go inside the theater.  Bill Sheffield, the Ballet Austin crew and the local tech folks were working magic with the small space. I loved watching the spacing rehearsal. Listening to the strategies to make Light work in a new space is fascinating. It included Stephen’s vision with the collaboration of the company.

onstage

 

We had coupons to eat dinner in the Acco entertainers garden.  We all walked over to the opening ceremonies where we were greeted by three rows of VIP seats marked with Ballet Austin signs. It is so odd. The only English in Acco are the words Ballet Austin. Albert has thought of every detail to make our stay amazing. We stayed for the concert as long as we could. Then we escaped early to go get some sleep.

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- Barbara Shack

Ballet Austin with the KCDC

Friday, September 20th, 2013

Today the company traveled to the home of Kibbutz Contemporary Dance Company (KCDC).

They live and work on a kibbutz (a rural communal settlement) in the region. Just like us, the company rehearses in their black box theater. Rami Be’er, Artistic Director and Raya Strauss, their benefactor greeted us. Stephen spoke and then KCDC performed.

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Stephen with Rami

The work was incredible!  And what an astounding group of dancers. My favorite response from our dancers was “Can we learn to do that?” I can’t describe the beauty of their fluidity and control.

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Next Ballet Austin danced. Yes, with jet lag and no real warm up, our dancers were still gorgeous. They performed an excerpt from Light. Honestly, I panicked a little when I thought about BA doing our version of a hora in Israel. But it worked! One of their dancers complimented the quality of our dancer’s movement (high praise from a dancer who had just blown my mind performing). Another added that he couldn’t believe that we could move with jet lag. As we all know our dancers can do anything (yes, I’m biased – and this trip has done nothing to change my mind).

BA dancing

Most of the KCDC dancers came through their second company just like ours who came through Ballet Austin II. Yoni, thier touring director showed us the studios and explained the kibbutz concept… “It’s based on communist and socialist philosophy… not like the United States.” While it is gorgeous there – and I am getting more and more in touch with nature, I’m not so sure agriculture would be a good fit for me.

The dancers had the afternoon off. Eugene and I had meetings with Isi and with Claudio – the videographer.

I admit Eugene and I had reached the point of delirious exhaustion so we had a quiet dinner.  We deemed it a great success.  The food was wonderful and we stayed awake all the way through the meal.

- Barbara Shack

(photos by Nevo Photography)

Announcing our 2011/12 Season!

Wednesday, March 9th, 2011

To purchase season tickets or for more information, click here.

The Mozart Project
Sep 30-Oct 2, 2011
The Long Center
Choreography by Stephen Mills
Music by Wolfgang Amadeus Mozart

The 49th Annual Production of
The Nutcracker
Dec 3-23, 2011
The Long Center
Choreography by Stephen Mills
Music by Pyotr Ilyich Tchaikovsky

The 4th Biennial
New American Talent/Dance
Feb 17-19, 2012
The Long Center

Light / The Holocaust & Humanity Project
Mar 23-25, 2012
The Long Center
Choreography by Stephen Mills
Music by Steve Reich, Evelyn Glennie, Michael Gordon, Arvo Part, Philip Glass

Romeo and Juliet
May 11-13, 2011
The Long Center
Choreography by Stephen Mills
Music by Sergei Prokofiev

 

 
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