Aara Krumpe, a Ballet Austin company dancer, reflects on the innovative nature of The Magic Flute, as well as her experience in preparing for it. The production premieres this weekend, May 6-8, at The Long Center.
This weekend will be the world premiere of Stephen Mills’ The Magic Flute. I have worked with Mr. Mills for twelve years now and I think this production is his most complex and elaborate full-length ballet. It has been a very unusual process for the dancers because there are so many elements involved: choreography, music, props, costumes, and of course, the shadow puppets.
In this production I will be dancing the role of Queen of the Night, a strong and powerful woman who is also manipulative and evil. Typically to prepare for a role, I study films and books to develop inspiration for my character. Original ballets, however, are a special treat for the dancers. A simple look or a hand gesture can define a role, and everything is magnified in shadow for this piece, so I restrained myself until Mr. Mills choreographed the ballet in its entirety to decide how to augment his steps with my interpretation of the character.
For the past two weeks, the dancers have rehearsed in the morning at the studios then headed over to the warehouse to work with the scenic elements. The shadow puppets are incredible! The simplicity of light creates a magical world of larger-than-life imagery. Our costumes were designed by Susan Branch-Towne to be very elaborate and distinct so the audience can distinguish which character is in shadow. I particularly love my costume! I have an exquisite dress with an amazing cape and a six-inch-high white wig (which I have yet to rehearse in) created by Allison Lowery.
As we head into the theatre this week, we will add a new element of the ballet with each rehearsal, the most challenging of which will be the music. We have been rehearsing with a recording of the opera but we will dance to an instrumental rendition performed by The Austin Symphony. Although I am anxious about the absence of vocals in such a powerful score, I like that Mr. Mills chose to tell the story primarily through dance.
I am very excited to see this ballet come together! I constantly marvel at Stephen Mills’ vision, and this ballet is shaping up to be a masterpiece. I hope you come to see for yourself!
The Magic Flute – World Premiere
8pm | May 6 & 7
3pm | May 8, Mother’s Day
The Long Center