This is the second in a four-part blog series about our annual Summer Intensive program. This week, I shadowed summer intensive attendee Nicole Douglas, 18, who joins us from Ashland, Massachusetts. Nicole auditioned for the Ballet Austin Summer Intensive in New York City, and will be with us for the remainder of the summer participating in the 6-week program. I spent Wednesday photographing Nicole during her day at Ballet Austin. Here’s what she had to say about her day:
My schedule at Ballet Austin differs a little every day. We have ballet class each day, and then go into a variety of other classes ranging from Pilates to technique-focused dance classes. Yesterday was an especially long day because I had pointe, Pilates and then a two and a half hour repertoire class all following my daily ballet class. My day started around 9:45 when I arrived at Ballet Austin and found an empty studio in which I could warm up.
Around 10:30, I went to ballet in the AustinVentures StudioTheater. I really like our daily ballet class because it provides the opportunity for me to focus mainly on my technique. Stephen Mills teaches a very different style of ballet from what I am used to, but I am really enjoying this new style and am happy to be re-training my body to do new things. We also do center of ballet class on pointe, which at times can be difficult but I know is really beneficial for me. Pointe class is pretty basic, but I like it because it sets aside time for me to focus on really working through my point shoes and articulating my feet more.
In the afternoon after lunch, I went to Pilates. I loved our Pilates class yesterday because I love working my abs! The Pilates class here at Ballet Austin is very intense but it is SO good for my body that I don’t mind.
Until now, almost all of my training has been based in classical Ballet, so going into the repertoire class I didn’t really know what to expect. By the second time I had the class, though, I had fallen in love with it. Yesterday we worked with choreography from Ballet Austin’s 2010 production of Carmina Burana.